Category: Richard Locke

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pornstar - videography Richard Locke

Richard Locke

who you may remember from such films as

  • Passing Strangers – (1974)
  • Dreamer – (1975)
  • Sins of Johnny X – (1975)
  • Pool Party – (1975)
  • Two Days in a Hot Place – (1975) (alias Ty Winslow)
  • Saddle Tramp & the Cowboy – (1976) – Hangin’ Tree Ranch
  • Forbidden Letters – (1976)
  • Kansas City Trucking Co. – (1976)
  • Take One – (1977)
  • El Paso Wrecking Corp. – (1977)
  • Gemini – (1978)
  • L.A. Tool and Die – (1979)
  • The Master Sergeant – (1979) – Richard Locke Productions
  • The Businessman – (1979) – Richard Locke Productions – likely same scene as in Best of the Superstars
  • Cruisin’ the Castro -(1981)
  • Best of the Superstars – (1982)
  • Heatstroke – (1982)
  • Daddy Dearest – (1984)
  • J. D. Slater’s VIDEO SIN – (1988) ???
  • J. D. Slater’s GUILTY – (1988) ???
  • Diamond Stud – (1995) – non-sex role

gosh – this has been in drafts for way too long! getting it perfect ain’t gonna happen, and so edits from time to time will obviously be a part of this post – but nice to have films, magazine and his own writings (gosh, I think I’ve left at least one out!) all in one place, right?


Author of:

Richard Locke, who you may remember from such magazines as:

  • PLAYGUY v02 n15 – (December 1977) – “El Paso Wrecking Corp.” feature
  • The Best of and the Worst of Drummer (1977)
  • DRUMMER #12 – (1977) – cover, and pics from HANGIN’ TREE RANCH

  • HONCHO – (October 1978) – single full-page pic of Locke and Will Seagers
  • DRUMMER #24 (1978) – “Sexstar Richard Locke Unlocked” (Exclusive DRUMMER interview: 37 & HOT!
  • BLUEBOY Vol. 27 – (December 1978)- Robert Locke. “My Brother the Porn Star”(Interview)
  • Bunkhouse Vol1 No1 – (1978) – 6-page photospread “Ranch Hands” from Hangin’ Tree

  • HONCHO – (April, 1979)- cover
  • MANDATE (October 1979) – cover – “Energy Source” photographed by Roy Blakey – 9-page spread
  • MANDATE (October 1979) – “Massage Parley” by Richard Locke; photographed by Jarry Lang
  • DRUMMER #34 (1979/1980) – cover w/Will Seagers– “LA Tool & Die” feature
  • SKIN – Vol 2 No1 (1980) –
  • OUTTAKES – images from Dreamer – from Griffin International
  • MANDATE (April 1980)
  • HONCHO – (1980) – calendar
  • HONCHO – (May 1980) – “L.A. Tool & Die” – one image
  • Stallion Vol 1 No 1 – (April 1982) – Richard Locke on the Joys of Solo Flight” (Interview)
  • Stallion Vol 2 No7 (October 1983) – Studio 54 pics; interview – “”Responsible Sleaze During The AIDS Crisis”
  • HONCHO – (May 1984) – Richard Locke [interview & nudes] (FB)
  • MANDATE – (July 1984)
  • STALLION: Stallion Studs #2 – 1984 – pics/interview
  • STALLION: STALLION’S 50 BEST SPECIAL #4 (1985)
  • Advocate MEN March (1987) interview + a couple pics
  • COLT Spurs 19 – M2M Couples 1 (1991) – single pic w/Stutz
  • Manshots Vol. 5 No. 2 – – (December 1992) – “Whatever Happened To: Richard Locke” – Jerry Douglas interview w/Locke















Love the photo below, from photographer , from the set of Kansas City Trucking Co.


favorite (non-sex) scene from Locke –

“if there’s anything I like better than sucking cock, it’s kicking ass!”

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photographers Richard Locke

uncuffed

Some of you may remember that a couple years ago I started to make an effort to credit photographers where possible; today’s post was supposed to be this simple photo, credit the photographer, and done. But what about a link? Jim Moss on BJland — oh, that’s embarrassing! I know he did a lot of work for Drummer, (quick search, Drummer 35, 36, 37, 39, oh gosh) and perhaps also directed a few pornos….director Jim Moss at GEVI. Hmmmm, not til 1988, but this photograph appeared in 1981, maybe a more interesting link…

stumbled upon this – The Gay Editorial Market and the Transnational Production of Racialized Desires which summarizes:

“This chapter focuses on the growth of the gay publishing industry in Mexico and examines how, since the late 1980s, some gay publishers, editors, visual artists, and pornographers in North America began to think of brown Mexican and Latino men as marketable. Some of those individuals were Hidalgo de la Torre, Jim Moss, and John Rowberry. The chapter argues that by creating a network and by producing and circulating gay magazines, erotic imagery, and pornography that capitalized on brown bodies, these men expanded notions of the erotic and helped to consolidate a gay market for these representations in Mexico and the United States. The chapter also offers a critique of these men’s work; while it expanded notions of the erotic and offered alternatives on the gay market, it also drew on and reinforced colonial mindsets that profited from the production of exoticizing images for white and/or middle-class gay consumers.”

And all that work for Drummer, which means you know I have a lot of pics going back 10-20 years on this page not credited… so much for the quick post and run!

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Richard Locke

chained and framed

how many magazines has Locke appeared in from this photo session?

This is from a 1994 issue of Manifest Reader; certainly Drummer, Mach, Bunkhouse, and others – originally Hanging Tree – check out more (and video) in my Dane Tremmel(l) post – Saddle Tramp & the Cowboy

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L. A. Tool & Die Richard Locke

Wylie & Hank


(there’s only so much I can do with cropping, straightening, etc – but I love this imagery)

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Arthur J. Bressan, Jr. Richard Locke

Bressan films in Chicago this weekend


Fri 7/18–Sat 7/26
Music Box Theatre, 3733 N. Southport, CHICAGO

$11 general admission, $8 Music Box members, most screenings 18+

Arousal meets art in the films of Arthur J. Bressan Jr. (article/review)

  • Passing Strangers – Friday July 18
  • Forbidden Letters – Saturday July 19
  • Daddy Dearest – Monday July 21
  • Buddies – Tuesday July 22
  • JUICE – Friday & Saturday July 25 & 26

Sex, Love, & Liberation: The Films of Arthur J. Bressan, Jr. (Music Box Theatre)


more Arthur J. Bressan Jr. on BJland

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Richard Locke

riding Robert?

“COVER PHOTO by Hangin Tree Ranch. Models are: Robert Locke (actually Richard Locke) on the bottom, and Groovy Guy winner Danny Combs (actually Dane Tremmel

Dane Tremmel – (see comments here and here )

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Arthur J. Bressan, Jr. Richard Locke

Fuck Me, Fuck Me, Daddy!

DADDY DEAREST – 40th Anniversary!
World premiere new 2K restoration!
Monday, December 9, 2024 7PM
IFC CENTER 323 6th avenue, New York, NY 10014

I figured since most of us can’t go, I’d post this 1984 article/interview from Manifest magazine. Here’s a zip file of the pages if you prefer to download for yourself. But before I end my celebration of all that is DADDY DEAREST, there is one thing that’s been bothering me ever since I saw it’s getting this great restoration and screening (OK, besides me not being there!) Check this out from the description on the IFC website: “Edward Thompson (Daniel Holt) is a gay porno filmmaker hard at work on his latest epic: the tacky story of a pair of college buddies (Dean Johnson and Andrew Dupree) wanting to hook up with an older daddy (Richard Locke) called Fuck Me, Fuck Me, Daddy! But as shooting gets underway…. – “tacky story”?? who wrote that? what’s so “tacky” about it? Am I being weird about the poor choice of words? I mean, don’t get me wrong, I know it’s not an “intriguing story” or “compelling story” or “sad story” or or or… I could go on, right?!! But tacky??? Simple story, “age old story” “relatable story” I mean, tacky – was this in like the original publicity? I’m getting myself worked up – oh harummmmph!





Don’t forget my Daddy Dearest page

also coming up:
Another Bressan film restored – JUICE – with a screening at Anthology Film Archives SATURDAY DECEMBER 14 – 32 Second Avenue New York, NY 10003