another sold magazine, but I saved a handful or high-res images – this from a magazine called Cum Buddies – if you’re a long time “reader”, you may have noticed I don’t post a lot of still images of cum, but these seemed much better than the usual – and if you don’t know each of these men, and want me to tell you – you’ll be repeating Early 80’s Gay Male Porn 101 with a very stern professor leading the class
back in 2017, preparing to move, I was scanning a lot of magazines, like these from Honcho, I was going to sell – alas, I did NOT scan complete magazines, but highlights I would use in the auctions….. but fortunately scanned high resolution, knowing I may one day want to post some pics – these are their stories…
ok, ok – bonus pic
Gay Pride edition of Double Headed Disco
CLOSE ENCOUNTERS
Saturday, June 24,
NOWHERE NO COVER NO SHADE
322 East 14th Street New York City 10pm
while we’re at it, how ’bout some more Brand and Steve Packard, no doubt enjoying a weekend together on Fire Island
I love love love Clay Russell – but…. it’s never been about his cock. Don’t get me wrong, it’s a fine cock, wouldn’t something something crackers in bed…. but it’s his whole look – that face! that (early days) hairy back! the stache, the entire package, right? He’s been in a couple Ramrod magazines, this one #4, from 1979 (alas, look closely and no back hair from what I can tell) – but no matter, Clay has had an awesome career, 25+ years, from Snowballing, to Heatstroke (with Richard Locke, and amazing scene, click thru) to those cop / leather videos for BIC productions – more Clay! more Clay! more Clay!
“Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video! (Frameline45).
Alas, it is a “short” – but anything that includes the HAIRY AS FUCK version of Clay Russell has got to be worth our time – too bad it’s on the west coast – but the “Streaming Encore” has me intrigued. And interviewing director Tom DeSimone
