wish I was better at connecting the parts
Ray Medina – (AKA Julio Campas)
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Brian Adams
who you may remember from such films as:
- The Big One (1988)
- The Main Attraction (1988)
- G.I. Mac (1988)
- Hard Men 2: No Strings Attached (1988) – non-sex sexy dancing?
- (Surge Men Are) Better Than Ever (1989)
- (Surge Men Are) Very Receptive (1989)
- The Rites of Summer (1989)
- The Rites of Fall (1989)
- Handtools 1 (1990) – solos? is it a compilation from elsewhere?
so maybe I overdid it a bit with the pics – 20??? I rarely do that! it must be the stache! and while this isn’t my favorite clip of him, it’s what I got handy. I really need to digitize both G.I. Mac (it’s a solo scene, but if I recall correctly, pretty sexy) and of course, The Big One – just to see Brian as a TV anchor (or reporter) doing it with the cheesy earthquake effects.
Brian Adams on GEVI
from (Surge Men Are) Better Than Ever, with Joe Cade and David DeBello (1989)
who you may remember from such magazines as:
- Stallion November – (1988)
- MANDATE, August – (1988) – COVER
- INCHES, September – (1988)
- Advocate Men – October (1988) –
- Men of Advocate Men – March (1989)
- Advocate Men – June (1989) – cover
- Manshots Vol. 1 No. 6 (June) (1989) – — G.I. Mac feature
- Advocate Men Letters – (1989)
- All-Man, October – (1988)
- Skinflicks Vol. 9 No. 2 (March) (1989)1989
- Cocky Obsession
wow – you got this far! If you want to see an abomination, check out the 20th Anniversary box cover for The Big One — ewwww!
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whose ass is this
(or is that whose asses are these?)
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Kevin & Craig
or is that Craig and Kevin (1973) ? – parts 1 & 2
a Brentwood film – and once you watch this, you know the music was added later – starring Craig (Ron Fraser) and Kevin (apparently Ron did some modeling for In Touch) This version is from one of those Bucky’s Triple XXX collection of loops – and as annoying as the bad music, and mediocre quality is, it’s not always easy to find these films otherwise. But if I do, I’ll post.
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Dunks
Giorgio Canali delivers (food) for Dave
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who’s cock?
and we know you know these piercing blues
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elevator love
nice to see a big-dicked cocksucker, right?
If I understand this correctly, they tried to use a real elevator, and the outside shots in the film are of one, but resorted to a stage set of sorts – no doubt designed by Mike Davis