Dane Phillips + Rex Brandon (Small Town Boy )
Giorgio Canali + Jon King (Members Only)
Al Parker + Tony Romano
Hal Drake + Clint Ely (Dunes)
Rocky Genero + Fred Halsted (Nighthawk In Leather)
Al Parker + Bob Bishop
Kevin Hunt and Mark Edwards (Rangers)
Chad James (left), I recognize – but hadn’t realized his cock was so nice! John, on the left, is sooooooooooooooo familiar, I’m sure he is somewhere on BJland but I haven’t (yet) figured it out
pics are from the book Outcast: David Hurles’ Old Reliable
So maybe with a little help from Vintage Old Reliable, we can at least get some more info – OK, a couple more pics – John E,
and let’s not forget cover model Lee (AKA Blake)
is that Ken Alexander (and his beautiful cock), in a COLT publication?
Tony Bruno Bear 13 (1990)
Curtis James – (Palm Drive/Jack Fritscher) Bear 15
T.J. Stryker, HEAT 1987
Prowlers – (1981) – AKA – starring Ed Wiley and Mark Rutter ; film #(MV-60 and MV-608) – found in at least 3 COLT video collections – Colt VT-310 (original video release) then The Best of Colt Films 2; and The Best of Colt Films 12
I’ve posted at least one version – under Rutter’s link – but the first version, above, is 30 seconds longer, and different music! Can anyone figure out what’s missing in version 2, below?
““I picked the guys and I picked the clothes. Cut their hair, pluck their eyebrows, shaved ’em. Scrubbed their feet and bleached them so they had nice, white feet. Tan them up and oil them down…”” – John Summers
So, I don’t mean to reduce an excellent, well-researched, and fascinating article into one silly quote – but maybe I just did! I had NO IDEA about John Summers, partly cuz other than the handful of porn directors I go to all the time, FALCON (while having a ton of good material) never seemed director-focused – BUT, mostly, seriously, it wouldn’t have occurred to me that a major player at Falcon all those years was Black.
So you must check out Kelvin Blunt‘s recent piece – John Summers: The Black Co-Founder of Falcon Studios – from the intro: “Summers was attached to movies that were polished, popular, and, in some cases, quietly influential including The Bigger The Better, Two Handfuls, Rock Hard, and Don’t Kiss Me I’m Straight.” Particularly interesting is Summers’ role in Style – so check out the article, then come back and check the clip out.
Below we got a clip, Watercolors found in Falcon’s 1982 film, Style that is mentioned in the article. Also, he mentions this documentary Seed Money: The Chuck Holmes story of – which I think I contributed a couple dollars to several years back, got a complimentary copy, and then stowed it away and never watched – insane, right??!
